V.—The twenty-second letter of
the Latin alphabet. Numerically it stands for 5; hence the Roman V (with a dash) stands for
5,000. The Western
Kabbalists have connected it with the divine Hebrew name IHVH. The Hebrew
Vau, however, being number 6, it is only by being identical with the
W, that it can ever become a proper symbol for the male-female, and
spirit-matter. The equivalent for the Hebrew Vau is YO, and in numerals
6.
Vâch (Sk.). To call Vâch “speech” simply,
is deficient in clearness. Vâch is the mystic personification of speech, and the
female Logos, being one with Brahmâ, who created her out of one-half of
his body, which he divided into two portions; she is also one with Virâj (called
the “female” Virâj) who was created in her by Brahmâ. In one sense Vâch is
“speech” by which knowledge was taught to man; in another she is the
“mystic,
secret speech” which descends upon and enters into the primeval Rishis, as the
“tongues of fire” are said to have “sat upon” the apostles. For, she is called
“the female creator ”, the “mother of the Vedas ”, etc., etc. Esoterically, she
is the subjective Creative Force which, emanating from the Creative Deity (the
subjective Universe, its “privation ”, or ideation) becomes the
manifested “world of speech ”, i.e., the concrete expression of ideation,
hence the “Word” or Logos. Vâch is “the male and female” Adam of the first
chapter of Genesis, and thus called “Vâch-Virâj” by the sages. (See
Atharva Veda.) She is also “the celestial Saraswatî produced from the
heavens ”, a “voice derived from speechless Brahmâ” (Mahâbhârata);
the goddess of wisdom and eloquence. She is called Sata-rûpa, the goddess
of a hundred forms.
Vacuum (Lat.). The symbol of the
absolute Deity or Boundless Space, esoterically.
Vâhana (Sk.). A vehicle, the carrier of
something immaterial and formless. All the gods and goddesses are, therefore,
represented as using vâhanas to manifest themselves, which vehicles are ever
symbolical. So, for instance, Vishnu has during Pralayas, Ânanta the
infinite” (Space), symbolized by the serpent Sesha, and during the
Manvantaras—Garuda the gigantic half-eagle, half-man, the symbol of the
great cycle; Brahma appears as Brahmâ, descending into the planes of
manifestations on Kâlahamsa, the “swan in time or finite eternity”; Siva
(phonet, Shiva) appears as the bull Nandi; Osiris as the sacred bull
Apis; Indra travels on an elephant;
Kârttikeya, on a peacock; Kâmadeva on Makâra, at other times a parrot;
Agni, the universal (and also solar) Fire-god, who is, as all of them are, “a
consuming Fire”, manifests itself as a ram and a lamb, Ajâ, “the unborn”;
Varuna, as a fish; etc., etc., while the vehicle of MAN is his body.
Vaibhâchikas (Sk.). The followers of the
Vibhâcha Shâstra, an ancient school of materialism ; a philosophy that
held that no mental concept can be formed except through direct contact between
the mind, via the senses, such as sight, touch, taste, etc., and external
objects. There are Vaibhâchikas, to this day, in India.
Vaidhâtra (Sk.). The same as the
Kumâras.
Vaidyuta (Sk.). Electric fire, the same as
Pâvaka, one of the three fires which, divided, produce
forty-nine
mystic fires.
Vaihara (Sk.). The name of a cave-temple
near Râjagriha, whereinto the Lord Buddha usually retired for
meditation.
Vaijayantî (Sk.). The magic necklace of Vishnu,
imitated by certain Initiates among the temple Brahmans. It is made of
five precious stones, each symbolizing one of the five elements of our Round;
namely, the pearl, ruby, emerald, sapphire and diamond, or water, fire, earth,
air and ether, called “the aggregate of the five elemental rudiments”— the word
“powers” being, perhaps, more correct than “rudiments ”.
Vaikhari Vâch (Sk.). ‘That which is
uttered; one of the four forms of speech.
Vaikuntha (Sk.). One of the names of the
twelve great gods, whence Vaikunthaloka, the abode of Vishnu.
Vairâjas (Sk.). In the popular belief,
semi-divine beings, shades of saints, inconsumable by fire, impervious to
water, who dwell in Tapo loka with the hope of being translated into
Satya-loka—a more purified state which answers to Nirvâna. The term is explained
as the aerial bodies or astral shades of “ascetics, mendicants, anchorites, and
penitents, who have completed their course of rigorous austerities”. Now in
esoteric philosophy they are called Nirmânakâyas, Tapo-loka being on the
sixth plane (upward) but in direct communication with the mental plane.
The Vairâjas are referred to as the first gods because the Mânasa
putras and the Kumâras are the oldest in theogony, as it is said that
even the gods worshipped them (Matsya Purâna); those whom Brahmâ “with
the eye of Yoga beheld in the eternal spheres, and who are the gods of
gods” (Vâyu Purâna).
Vairochana (Sk.). “All-enlightening”. A mystic
symbol, or rather a generic personification of a class of spiritual beings
described as the embodiment of essential wisdom (bodhi) and absolute
purity. They dwell in the fourth
Arûpa Dhâtu (formless world) or Buddhakshetra, and are the first
or the highest hierarchy of the five orthodox Dhyâni Buddhas. There was a
Sramana (an Arhat) of this name (see Eitel’s Sansk. Chin. Dict.) a
native of Kashmir,
“who introduced Buddhism into Kustan and lahoured in Tibet” (in the seventh
century of our era). He was the best translator of the semi-esoteric Canon of
Northern
Buddhism, and a contemporary of the great Samantabhadra
(q.v.).
Vaisâkha (Sk.). A celebrated female ascetic,
born at Srâvastî, and called Sudatta, “virtuous donor”. She was the
mother-abbess of a Vihâra, or convent of female Upâsikâs, and is known as the
builder of a Vihâra for Sâkyamuni Buddha. She is regarded as the patroness of
all the Buddhist female ascetics.
Vaisheshika (Sk.). One of the six
Darshanas or schools of philosophy, founded by Kanâda. It is called the
Atomistic School, as it teaches the existence of a universe of atoms of a
transient character, an endless number of souls and a fixed number of material
principles, by the correlation and interaction of which periodical cosmic
evolutions take place without any directing Force, save a kind of mechanical law
inherent in the atoms; a very materialistic school.
Vaishnava (Sk.). A follower of any sect
recognising and worshipping Vishnu as the one supreme God. The worshippers of
Siva are called Saivas.
Vaivaswata (Sk.). The name of the Seventh Manu,
the forefather of the post-diluvian race, or our own fifth humankind. A reputed
son of Sûrya (the Sun), he became, after having been saved in an ark (built by
the order of Vishnu) from the Deluge, the father of Ikshwâku, the founder of the
solar race of kings.
(See “Sûryavansa”.)
Vajra (Sk.). Lit., “diamond club” or
sceptre. In the Hindu works, the sceptre of Indra, similar to the thunderbolts
of Zeus, with which this deity, as the god of thunder, slays his enemies. But in
mystical Buddhism, the magic sceptre of Priest-Initiates, exorcists and
adepts—the symbol of the possession of Siddhis or superhuman powers,
wielded during certain ceremonies by the priests and theurgists. It is also the
symbol of Buddha’s power over evil spirits or elementals. The possessors of this
wand are called Vajrapâni (q.v.).
Vajrâchârya (Sk.). The spiritual achârya
(guru, teacher) of the Yogâchâryas, The “Supreme Master of the
Vajra”.
Vajradhara (Sk.). The Supreme Buddha with the
Northern Buddhists.
Vajrapâni (Sk.), or
Manjushrî, the Dhyâni-Bodhisattva (as the spiritual reflex, or the son of
the Dhyâni.Buddhas, on earth) born directly from the subjective form of
existence; a deity worshipped by the profane as a god, and by Initiates as a
subjective Force, the real nature of which is known only to, and explained by,
the highest Initiates of the Yogâchârya School.
Vajrasattva (Sk.). The name of the sixth
Dhyani-Buddha (of whom there are but five in the popular Northern
Buddhism)—in the Yogâchârya school, the latter counting seven Dhyâni-Buddhas and
as many Bodhisattvas—the “mind-sons” of the former. Hence, the Orientalists
refer to Vajrasattva as “a fictitious Bodhisattva”.
Vallabâchârya (Sk.). The name of a mystic who was
the chela (disciple) of Vishnu Swâmi, and the founder of a sect of
Vaishnavas. His descendants are called Goswâmi Mahârâj, and have much
landed property and numerous mandirs (temples) in Bombay. They have degenerated
into a shamefully licentious sect.
Vâmana (Sk.). The fifth avatar of Vishnu,
hence the name of the Dwarf whose form was assumed by that god.
Vara (Mazd.). A term used in
the Vendîdâd, where Ahura-mazda commands Yima to build Vara. It
also signifies an enclosure or vehicle, an ark (argha), and at the
same time MAN (verse 30). Vara is the vehicle of our informing Egos, i.e.
the human body, the soul in which is typified by the expression a “window
self-shining within”.
Varâha (Sk.). The boar-avatar of Vishnu;
the third in number.
Varna (Sk.). Caste; lit., “colour”. The
four chief castes named by Manu—the Brahmin, Kshatriya, Vaisya and Sûdra—are
called Chatur-varna.
Varsha (Sk.). A region, a plain; any
stretch of country situated between the great mountain-ranges of the
earth.
Varuna (Sk). The god of water,
or marine god, but far different from Neptune, for in the case of this oldest of
the Vedic deities, Water means the “ Waters of Space”, or the all-investing sky,
Akâsa, in one sense. Varuna or Ooaroona (phonetically), is certainly the
prototype of the Ouranos of the Greeks. As Muir says : “ The grandest
cosmical functions are ascribed to Varuna. Possessed of illimitable knowledge he
upholds heaven and earth, he dwells in all worlds as sovereign ruler. . . He
made the golden . . . sun to shine in the firmament. The wind which resounds
through the atmosphere is his breath. . . . Through the operation of his laws
the moon walks in brightness and the stars . . . mysteriously vanish in
daylight. He knows the flight of birds in the sky, the paths of ships on the
ocean, the course of the far travelling wind, and beholds all the things that
have been or shall be done. . . . He witnesses men’s truth and false hood. He
instructs the Rishi Vasishta in mysteries ; but his secrets and those of Mitra are not to be
revealed to the foolish.” . . “ The attributes and functions ascribed to Varuna
impart to his character a moral elevation and sanctity far surpassing that
attributed to any other Vedic deity.”
Vasishta (Sk.). One of the primitive seven
great Rishis, and a most celebrated Vedic sage.
Vasudeva (Sk.). The father of Krishna. He
belonged to the Yâdava branch of the Somavansa, or lunar race.
Vasus (Sk.). The eight evil deities
attendant upon Indra. Personified cosmic phenomena, as their names
show.
Vâyu (Sk.). Air: the god and sovereign of
the air; one of the five states of matter, namely the gaseous; one of the
five elements, called, as wind, Vâta. The Vishnu Purâna makes Vâyu
King of the Gandharvas. He is the father of Hanumân, in the Râmâyana. The
trinity of the mystic gods in Kosmos closely related to each other, are “ Agni
(fire) whose place is on earth; Vâyu (air, or one of the forms of Indra), whose
place is in the air ; and Sûrya (the sun) whose place is in the air
(Nirukta.) In esoteric interpretation, these three cosmic principles,
correspond with the three human principles, Kâma, Kâma-Manas and Manas, the sun
of the intellect.
Vedanâ (Sk.). The second of the five
Shandhas (perceptions, senses). The sixth Nidâna.
Vedânta (Sk.). A mystic system of philosophy
which has developed from the efforts of generations of sages to interpret the
secret meaning of the Upanishads (q.v.). It is called in the
Shad-Darshanas (six schools or systems of demonstration), Uttara
Mîmânsâ, attributed to Vyâsa, the compiler of the Vedas, who
is thus referred to as the founder of the Vedânta. The orthodox Hindus call
Vedânta_a term meaning literally the “end of all (Vedic) knowledge
”—Brahmâ-jnâna, or pure and spiritual knowledge of Brahmâ. Even if we
accept the late dates assigned to various Sanskrit schools and treatises by our
Orientalists, the Vedânta must be 3,300 years old, as Vyâsa is said to have
lived I,400 years B.C. If, as Elphinstone has it in his History of India,
the Brahmanas are the Talmud of the Hindus, and the Vedas
the Mosaic books, then the Vedânta may be correctly called the
Kabalah of India. But how vastly more grand! Sankarâchârya, who was the
popularizer of the Vedântic system, and the founder of the Adwaita
philosophy, is sometimes called the founder of the modern schools of the
Vedânta.
Vedas (Sk.). The “revelation”. the
scriptures of the Hindus, from the root vid, “to know ”, or “divine
knowledge”. They are the most ancient as well as the most sacred of the Sanskrit
works. The Vedas on the date and antiquity of
which no two Orientalists can agree, are claimed by the Hindus themselves, whose
Brahmans and Pundits ought to know best about their own religious works, to have
been first taught orally for thousands of years and then compiled on the shores
of Lake Mânasa-Sarovara (phonetically, Mansarovara) beyond the Himalayas,
in Tibet. When was this done? While their religious teachers, such as Swami
Dayanand Saraswati, claim for them an antiquity of many decades of ages, our
modern Orientalists will grant them no greater antiquity in their present form
than about between 1,000 and 2,000 B.C. As compiled in their final form by
Veda-Vyâsa, however, the Brahmans themselves unanimously assign 3,100 years
before the Christian era, the date when Vyâsa flourished. Therefore the
Vedas must be as old as this date. But their antiquity is sufficiently
proven by the fact that they are written in such an ancient form, of Sanskrit,
so different from the Sanskrit now used, that there is no other, work like them
in the literature of this eldest sister of all the known languages, as Prof. Max
Muller calls it. Only the most learned of the Brahman Pundits can read the Vedas
in their original. It is urged that Colebrooke found the date 1400 B.c. corroborated absolutely by a
passage which he discovered, and which is based on astronomical data. But if, as
shown unanimously by all the Orientalists and the Hindu Pundits also, that (a)
the Vedas are not a single work, nor yet any one of the separate
Vedas; but that each Veda, and almost every hymn and division of
the latter, is the production of various authors; and that (b) these have been
written (whether as sruti, “revelation ”, or not) at various periods of
the ethnological evolution of the Indo-Aryan race, then—what does Mr.
Colebrooke’s discovery prove? Simply that the Vedas were finally
arranged and compiled fourteen centuries before our era; but this interferes in
no way with their antiquity. Quite the reverse; for, as an offset to Mr.
Colebrooke’s passage, there is a learned article, written on purely astronomical
data by Krishna Shâstri Godbole (of Bombay), which proves as absolutely and on
the same evidence that the Vedas must have been taught at least 25,000
years ago. (See Theosophist, Vol. II., p. 238 et seq., Aug.,
1881.) This statement is, if not supported, at any rate not contradicted by what
Prof. Cowell says in Appendix VII., of Elphinstone’ History of India: “
There is a difference in age between the various hymns, which are now united in
their present form as the Sanhitâ of the Rig Veda; but we have no data
to determine their relative antiquity, and purely subjective criticism,
apart from solid data, has so often failed in other instances, that we can trust
but little to any of its inferences in such a recently opened field of research
as Sanskrit literature. [ a fourth part of the Vaidik literature is as yet in
print, and very little of it has been translated into English
(1866).] The still unsettled controversies about the Homeric poems may well warn
us of being too confident in our judgments regarding the yet earlier hymns of
the Rig -Veda. . . . When we examine these hymns . . . they are deeply
interesting for the history of the human mind, belonging as they do to a much
older phase than the poems of Homer or Hesiod.” The Vedic writings are all
classified in two great divisions, exoteric and esoteric, the former being
called Karma-Kânda, “division of actions or works ”, and the Jnâna
Kânda, “division of (divine) knowledge”, the Upanishads (q.v.) coming under
this last classification. Both departments are regarded as Sruti or
revelation. To each hymn of the Rig -Veda, the name of the Seer or Rishi
to whom it was revealed is prefixed. It, thus, becomes evident on the authority
of these very names (such as Vasishta, Viswâmitra, Nârada, etc.), all of which
belong to men born in various manvantaras and even ages, that centuries, and
perhaps millenniums, must have elapsed between the dates of their
composition.
Veda-Vyâsa (Sk.). The compiler of the Vedas
(q.v.).
Veddhas (Sing.). The name of a
wild race of men living in the forests of Ceylon. They are very difficult to
find.
Vehicle of Life (Mystic). The
“Septeriary” Man among the Pythagoreans, “number seven” among the profane. The
former “explained it by saying, that the human body consisted of four principal
elements (principles), and that the soul is triple (the higher triad)” . (See
Isis Unveiled, Vol. II., p. 418, New York, 1877.) It has been often
remarked that in the earlier works of the Theosophists no septenary division of
man was mentioned. The above quotation is sufficient warrant that, although with
every caution, the subject was more than once approached, and is not a
new-fangled theory or invention.
Vendîdâd (Pahlavi). The first
book (Nosk) in the collection of Zend fragments usually known as the
Zend-Avesta. The Vendidâd is a corruption of the compound-word
“Vidaêvo-dâtern”, meaning “the anti- demoniac law ”, and is full of teachings
how to avoid sin and defilement by purification, moral and physical—each of
which teachings is based on Occult laws. It is a pre-eminently occult treatise,
full of symbolism and often of meaning quite the reverse of that which is
expressed in its dead-letter text. The Vendîdâd, as claimed by tradition,
is the only one of the twenty-one Nosks (works) that has escaped the
auto-da-fé at the hands of the drunken Iskander the Rûmi, he whom
posterity calls Alexander the Great— though the epithet is justifiable only when
applied to the brutality, vices and cruelty of this conqueror. It is through the
vandalism of this Greek that literature and knowledge have lost much priceless
lore in the Nosks burnt by him. Even the Vendidâd has reached us in only a fragmentary
state. The first chapters are very mystical, and therefore called “mythical” in
the renderings of European Orientalists. The two “creators” of “spirit-matter”
or the world of differentiation—Ahura- Mazda and Angra-Mainyu (Ahriman)—are
introduced in them, and also Yima (the first man, or mankind personified). The
work is divided into Fargards or chapters, and a portion of these is
devoted to the formation of our globe, or terrestrial evolution. (See
Zend-Avesta.)
Vetâla (Sk.). An elemental, a spook, which
haunts burial grounds and animates corpses.
Vetâla Siddhi (Sk.). A practice of sorcery; means
of obtaining power over the living by black magic, incantations, and ceremonies
performed over a dead human body, during which process the corpse is desecrated.
(See “Vetâla ”.)
Vibhâvasu (Sk.). A mystic fire connected with
the beginning of pralaya, or the dissolution of the universe.
Vibhûtayah (Sk.). The same as Siddhis or
magic powers.
Vidyâ (Sk.). Knowledge, Occult
Science.
Vidyâ-dhara (Sk.). And Vidyâ-dharî, male and
female deities. Lit., “possessors of knowledge”. They are also called
Nabhas-chara, “moving in the air”, flying, and Priyam-vada,
“sweet-spoken ”. They are the Sylphs of the Rosicrucians; inferior deities
inhabiting the astral sphere between the earth and ether; believed in popular
folk-lore to be beneficent, but in reality they are cunning and mischievous, and
intelligent Elementals, or “Powers of the air ”. They are represented in the
East, and in the West, as having intercourse with men (“ intermarrying ”, as it
is called in Rosicrucian parlance; see Count de Gabalis). In
India they are also
called Kâma-rûpins, as they take shapes at will. It is among these
creatures that the “spirit-wives” and “ spirit-husbands” of certain modern
spiritualistic mediums and hysteriacs are recruited. These boast with pride of
having such pernicious connexions (e.g., the American “Lily ”, the
spirit-wife of a well-known head of a now scattered community of Spiritualists,
of a great poet and well-known writer), and call them angel-guides, maintaining
that they are the spirits of famous
disembodied mortals. These “
spirit-husbands” and “wives” have not originated with the modern Spiritists and
Spiritualists, but have been known in the East for thousands of years, in the
Occult philosophy, under the names above given, and among the profane
as—Pishâthas.
Vihâra (Sk.). Any place inhabited by
Buddhist priests or ascetics; a Buddhist temple, generally a rock-temple or
cave. A monastery, or a nunnery also. One finds in these days Vihâras built in
the enclosures of monasteries and
academies for Buddhist training in towns and cities; but in days of yore they
were to be met with only in unfrequented wild jungles, on mountain tops, and in
the most deserted places.
Vihâraswâmin (Sk.). The superior (whether male or
female) of a monastery or convent, Vihâra. Also called Karmadâna, as
every teacher or guru, having authority, takes upon himself the responsibility
of certain actions, good or bad, committed by his pupils or the flock entrusted
to him.
Vijnânam (Sk.). The Vedântic name for the
principle which dwells in the Vijnânamaya Kosha (the sheath of intellect)
and corresponds to the faculties of the Higher Manas.
Vikârttana (Sk.). Lit., “shorn of his rags”; a
name of the Sun, and the type of the initiated neophyte. (See Secret
Doctrine, I., p. 322, n.)
Vimoksha (Sk.). The same as
Nirvâna.
Vînâ (Sk.). A kind of large guitar used
in India and Tibet,
whose invention is attributed variously to Siva, Nârada, and others.
Vinatâ (Sk.). A daughter of Daksha and wife
of Kashyapa (one of the “seven orators” of the world). She brought forth the egg
from which Garuda the seer was born.
Viprachitti (Sk.). The chief of the Dânavas—the
giants that warred with the gods: the Titans of India.
Vîrabhadra (Sk.). A thousand-headed and
thousand-armed monster, “born of the breath” of Siva Rudra, a symbol having
reference to the “sweat-born ”, the second race of mankind
(Secret
Doctrine, II., p. 182).
Virâj (Sk.). The Hindu Logos in the
Purânas; the male Manu, created in the female portion of Brahmâ’s body
(Vâch) by that god. Says Manu: “ Having divided his body into two parts, the
lord (Brahmâ) became with the one half a male and with the other half a female;
and in her he created Virâj”. The Rig -Veda makes Virâj spring from
Purusha, and Purusha spring from Virâj. The latter is the type of all male
beings, and Vâch, Sata-rûpa (she of the hundred forms), the type of all female
forms.
Vishnu (Sk.). The second person of the
Hindu Trimûrti (trinity), composed of Brahmâ, Vishnu and Siva. From the root
vish, “to pervade”. in the Rig -Veda, Vishnu is no high god, but
simply a manifestation of the solar energy, described as “striding through the
seven regions of the Universe in three steps and enveloping all things
with the dust (of his beams ”.) Whatever may be the six other occult
significances of the statement, this is related to the same class of types as
the seven and ten Sephiroth, as the seven and three orifices of
the perfect Adam Kadmon, as the seven “principles” and the higher triad in man,
etc., etc. Later on this mystic type becomes a
great god, the preserver and the renovator, he “of a thousand names—Sahasranâma.”
Vishwakarman (Sk.). The “Omnificent”. A Vedic
god, a personification of the creative Force, described as the One “all-seeing
god, . . . the generator, disposer, who . . . is beyond the comprehension of
(uninitiated) mortals”. In the two hymns of the Rig -Veda specially
devoted to him, he is said “to sacrifice himself to
himself ”. The names of his mother, “the lovely and virtuous
Yoga-Siddha” (Purânas) and of his daughter Sanjnâ
(spiritual consciousness), show his mystic character. (See Secret
Doctrine, sub voc.) As the artificer of the gods and maker of their weapons,
he is called Karu, “workman”, Takshaka “carpenter”, or “wood-cutter”,
etc., etc.
Vishwatryarchas (Sk.) The fourth solar
(mystic) ray of the seven. (See Secret Doctrine, I., p. 515,
n.)
Vivaswat (Sk.). The “bright One”, the
Sun.
Viwan (Sk.). Some kind “of air-vehicle”,
like a balloon, mentioned but not described in the old Sanskrit works, which the
Atlanteans and the ancient Aryas seem to have known and used.
Voluspa (Scand.). A poem called
“The Song of the Prophetess”, or “Song of Wala ”.
Voodooism, or Voodoos. A system of
African sorcery; a sect of black magicians, to which the New Orleans negroes are much
addicted. It flourishes likewise in Cuba and South America.
Voordalak (Slav.). A vampire; a
corpse informed by its lower principles, and maintaining a kind of semi-life in
itself by raising itself during the night from the grave, fascinating its living
victims and sucking out their blood. Roumanians, Moldavians, Servians, and all
the Slavonian tribes dwelling in the Balkans, and also the Tchechs (Bohemians),
Moravians, and others, firmly believe in the existence of such ghosts and dread
them accordingly.
Votan (Mex.). The deified hero
of the Mexicans, and probably the same as Quetzal-Coatl; a “son of the snakes”,
one admitted “to the snake’s hole ”, which means an Adept admitted to the
Initiation in the secret chamber of the Temple. The missionary Brasseur
de Bourbourg, seeks to prove him a descendant of Ham, the accursed son of Noah.
(See Isis Unveiled, I., pp. 545 et seq.)
Vrata (Sk) Law, or power of
the gods.
Vratâni (Sk.). Varuna’s “active laws”,
courses of natural action. (See Rig -Vedic Hymns, X., 90-1.
Vriddha Garga (Sk.). From Vriddha, “old”,
and Garga, an ancient sage, one of the oldest writers on
astronomy.
Vriddha Mânava (Sk.) The laws of
Manu.
Vritra (Sk.). The demon of drought in the
Vedas, a great foe of Indra, with whom he is constantly at war. The
allegory of a cosmic phenomenon.
Vritra-han (Sk.) An epithet or
title of Indra, meaning “the slayer of Vritra”.
Vyahritis (Slav.). Lit., “ fiery ”,
words lit by and born of fire. The three mystical, creative words, said
by Manu to have been milked by the Prajâpati from the Vedas: bhûr,
from the Rig -Veda; bhuvah, from the Vajur-Veda; and
Swar, from the Sama-Veda (Manu II., 76). All three are said to
possess creative powers. The Satapatha Brâhmana explains that they are
“the three luminous essences” extracted from the Vedas by Prajâpati
(“lords of creation ”, progenitors), through heat. “He (Brahmâ) uttered the word
bhûr and it became the earth; bhuvah, and it became the firmament;
and swar, which became heaven”. Mahar is the fourth “luminous
essence ”, and was taken from the Atharva-Veda. But, as this word is
purely mantric and magical, it is one, so to say, kept apart.
Vyâsa (Sk.).. Lit., one who
expands or amplifies; an interpreter, or rather a revealer; for that
which he explains, interprets and amplifies is a mystery to the profane. This
term was applied in days of old to the highest Gurus in India. There were many
Vyâsas in Aryavarta; one was the compiler and arranger of the Vedas; another,
the author of the Mahâbhârata—the twenty-eighth Vyâsa or revealer in
the order of
succession—and the last one of note was the author of
Uttara Mîmânsâ, the sixth school or system of Indian philosophy. He was
also the founder of the Vedânta system. His date, as assigned by Orientalists
(see Elphinstone, Cowell, etc.), is 1,400 B.C., but this date is certainly too
recent. The Purânas mention only twenty-eight Vyâsas, who at various ages
descended to the earth to promulgate Vedic truths—but there were many
more.