1.
"Our
special guest today is Kiles Heidelberg from Hawaii..." Kiles watched
and heard it on monitors back stage. "Wo zur Hölle sind
wir?" Kiles sounded like his father. "How are you picking where
we land?"
2. That was directed at Xi, "I've fused together some of
your parents equations, but the chaotic variables have been
more useful, actually."
3. Kiles recognized Lu Lu's voice, "Are we really
on Earth?" he asked. "I don't know which one?" Xi answered.
Flash was gone. "He doesn't exist here," Xi answered before Kiles
could ask.
4.
It was disorienting to make sudden shifts in
dimensions, atmosphere, gravity and whole physics paradigms in an
instant. Kiles saw spotlight beams bleed through the
stage curtain partition. A stage technician wearing a
headset led him to the
curtain and parted one wide enough for him to pass through.
5. Everyone cheered. "Evidently, I'm well known,"
he thought, "I hope this is going somewhere." He imagined what
Onimex might say in this situation. He had been with a
diluvian
Onimex only seconds ago. His Onimex was
confined to Corlos to avoid becoming inextricably intermingled with his
co-located selves, who were scattered, evidently, everywhere they
weren't supposed to be. "That must have messed with Kor a
little,"
he thought.
6. His reality had been like changing channels on a TV, with
radically different situations on each channel.
7. Lu Lu extended her arm and pointed at her guest's chair.
8. Kiles
knew this routine because he watched her show and didn't tell
anyone. She was somewhat off-the-wall and very inventive; touted
as the queen of daytime imagination.
9. Kiles was a natural with the
audience and took his seat; it was obvious that he was
comfortable on the set. He had always wanted to meet her in
person.
10.
"You have Sooooo many people here who especially wanted to see
you...
girls?" she extended her arm to the audience and the response was
screaming applause, whistles, cheers, 'I love you, Kiles!' and lustful
comments
that had to be censored. The line outside had gone around
the block with people hoping to get a seat. One girl made a mad
dash across the
stage and was intercepted by security just in time. "I must be a
rock
star," Kiles thought.
11. The camera
beamed his bashful blush throughout television land. For
dramatic effect, Kiles gallantly took a knee and kissed Lu Lu's hand
while she patted her heart and held a handkerchief to her eye. It
was terribly canny, but her style attracted the ratings,
so the network gave her carte blanche; 'nothing's taboo for Lu
Lu.'
12. She couldn't be
happier. He stood up, bowed to the audience, offered them his
heart with both arms and took his seat once again like an A-list movie
star with the #1 box office hit in theatres. He knew
how to play the
audience better than the shows coaches could have taught him -- it was
pretty obvious.
13. "So tell us about your mission to the Outer Banks?" she
prodded.
He wished that he could access a database like his cybernetics friends,
who could access Universe-specific data at will. "I don't know,"
he acted
superficially confused, "Which Universe are we in?" He asked out
loud, with rehersed precision.
14. Everybody laughed: Satire
was expected on Lu Lu's show; feigning seriousness but playing it down
for the camera.
15.
Lu Lu made faces at the audience to suggest that he had
parried with an expert response. "Show us some of your
memories," she said, pretending to scroll through the pages of an
imaginary tablet. "Oh, yes," Kiles caught on. "I
threw them away." Everyone laughed again. He made sound
technician's job easy -- there was no need for enhanced audio FX
because the
audience was already on board.
16. Lu Lu held up a finger,
"We're going to get to that," she said, but I wanted to ask you about
your guardian angel."
17. "Well..." Kiles shrugged, as the audience quieted
down, "He's
black." There were hushed 'ohhhs' and 'ahhhs...'
Evidently, in this
reality, the
tabloids had been trying to unearth that mystery for years.
18. "I've
had moments of desperation," Kiles confessed, "Times when things got so
bad, that I just threw them away." "What were some of those
things?" Lu Lu interrupted -- she was leading him, Lu Lu
style, and he was only too eager to play along.
19.
"I had a beautiful triple breasted tunic from my great
grandfather who I had never met. My mission journals..." "Your
mission journals?" Lu Lu repeated with feigned surprise. "It must
have been horrible," she consoled him. "To the Outlands," he
pouted. Evidently, these were things he had lost over time.
20.
She put her hand
sympathetically on Kiles knee, "And that wasn't all, was it?" she said
softly. The quiet anticipation was all part of the act.
"You had a friend
give you something special that you also discarded?" Kiles
nodded, looking a bit sullen. The audience
sympathized.
Some of the items Kiles had honestly lost while others had been
stolen. "But there were two things..." Lu Lu interjected on
cue. "Two things," Kiles continued meekly with a touch of regret
and shame...
21. "Someone told me, every time I threw stuff
away," Kiles continued,
"that they saw 'a black guy,'
digging through the dumpster, who they thought was salvaging my
stuff."
22.
Lu Lu turned toward the audience and nodded, to suggest that she
had unraveled the true caveat behind the mystery. Sometimes
dreams do bleed into
reality. It was her style to play the audience on one hand and
her guest on the other.
23. "What would you say?" Lu Lu asked, turning her focus back on
Kiles, "if
we could bring back all those things you threw away, that you thought
you had lost forever?"
24. Kiles was shocked. The look in his face
was priceless. "How is that possible?" was written on his face,
even though he didn't say it.
25. Surprise was what made Lu Lu famous.
"What would you say?" she added with calculated perfection, in synch
with a glorious, hazy light that began to emanate from the
ceiling, "if we invited your Guardian Angel to the show?"
26. The
tension turned into shock and awe as the hazy light became blindingly
celestial, and an elegantly robed, glorified, 'black' Angel descended
to within inches of the set floor.
27.
Inside a separate beam of
light
descended a golden trunk which set down beside the Angel. Objects
rose from inside the trunk and descended to the floor, while
the Angel dialed down his celestial radiance to prevent permanent
injury to eyes and cameras.
28. Kiles knelt down to his former possesions and
glanced
at Lu Lu with
sheer amazement. She giggled with delight and coaxed the
audiences sympathy.
29.
He looked
up to the Angel, "Thank-you," he offered psionically. He picked
up his discarded journal and his great grandfather's tunic. He
saw an item that he should not have given away among others that
he had forgotten about. One item came with a curse if he
ever lost
it and now he had it back.
30. His guardian smiled, "I've
been watching you for
your entire life." Kiles had only suspected that that was who his
Angel might be, but he had never actually met him. "This is so
good!" he said, giving his Angel a hug, "Thank-you!" Everyone
could read what he was thinking and feeling by
his facial expressions.
31. The Angel took a moment to surveille the audience and the set
surroundings. He surreptitiously returned his gaze
to Kiles, "You know none of this is real?"
32. Before he had a chance to deflate, Xi rudely interrputed,
"Says who?"
THE
JOKER
33. "Director!" Alma invaded B'jhon psionically. He never
called him
'Director' unless it was urgent. "The Joker is flowing
over!"
34.
The library water well was affectionately known as The
Joker because the breathable air emanated from the well, and an
intricate grill blocked accurate depth measurements. For as long
as Corlos existed, there had been no way to take an accurate depth
measurement; "Just accept that it works," was the standard
explanation. "We're alive and breathing," usualy followed.
35.
The well was spooky, like a vortex to a dangerous, unexplored
realm. Most personnel avoided the
library for that very reason. Some would make brief visits to
prove that they were rational thinkers; unchained by myths
and superstitions. The unknown provoked an irrational fear,
but the greatest villain was logic and physics: The wells depth
had been measured beyond the radius of Sunova but the end was
unreachable. What if a boogey man arises from the depths and
attacks us?
36. Daniel used to fall
asleep in the library during his tenure, but nobody else, before or
since, was known to
have that tendency. Daniel found the place relaxing.
37. "Where are we going to find a plumber to fix
that kind of leak?" B'jhon asked "The machines?" They both wondered the
same thing. "Of course," G-49 chimed in, "whenever there's a
threat -- send in the machines." Fraternal humor.
38. "We have rebreathers in the supply locker," another
agent offered. Those were for away missions. The need for a
rebreather on Sunova was somewhat ludicrous.
39. "I don't think we're supposed to be 'in' there," everyone
presumed, referring to the well, below depths. "It's our day for
enigmas," B'jhon commented. They had just left the situation at
ops, which Alma didn't need to point out.
40. Fifteen other personnel were enroute to the library with six
technicians already on site, assessing the situation.
41.
Some of
The
Joker's function was taken for granted: The grille had an array
of miniature radiator nozzles that permitted Sunova's natural
gravity to atomize the water to create air. The grille could
increase, decrease or recycle air on its own. There were no
noticeable bubbles to speak of.
42.
The evidence of more advanced technology was never
questioned.
It lay beyond modern conventions and it worked reliably. It was
obvious that the
builders didn't want anyone to mess with it.
43.
The below-grille water had an
unnaturally high nitrogen content, typically found on heavily vegetated
worlds with oceans. The Joker was artifically intelligent:
It could scavenge whatever it needed
throughout Sunova in order to maintain itself. It could
extract carbon from biologicals, filter air through a closed
ventilation system, import off-site materials with the
simulator and scavange collapsed matter as needed.
All the magic occurred below the grille, which was unsettling for some.
44.
The water above the grille was crystal clear and purified
with a dash of salt for taste: It was piped throughout the
facility with a facet in every chamber.
Whenever strange minerals, plants or objects appeared on the
simulator floor, the transports were traced to The Joker:
In-depth analysis confirmed the need. For all intents and
purposes, The Joker had no need to interact with others.
45.
The current concensus was: "Intelligence from 'the other side'
is attempting to
visit through the back
door." Even the machines agreed that that particular technique
was unorthodox; "It's polite to let someone know you're coming."
'There are other ways in and out,'
Daniel said to B'jhon once.
46.
At first, the well's overflow was not terribly
alarming; no more than a small pipe break. Before
the water could reach the entrance, the water
withdrew to a forcefield in front of
The Joker. It was the same type of forcefield that the mainframe
used to block outside interference. "I've never seen water become
a shape before," Alma commented. "Neither have I," B'jhon
agreed.
47. Alma approached the forcefield and touched
it. It did not adversely react to his touch. "It's a
containment field," he said. Forcefields are more violent when
touched.
48. Twenty-plus spectators arced around the containment
field while the water rose above one foot
depth.
49.
Suddenly, the flood gate opened and the entire containment
field finished filling up within seconds.
The closest personnel stepped back with caution.
50. Within the water swrilled firefly-like sparkles
until they settled like sediment in a snow globe.
51. "Are those mineral or
biological?" an analyst asked. "Synapse," G-49
postulated. G-49's postulates were reliable, which heightened the
intrigue.
52. The mostly settled sparkles continued.
B'jhon probed, then gently nodded, "The symbols are unique. From
a completely different paradigm." "The colliding dimensions?"
Alma wondered.
53.
The symbols matched the
hieroglyphic style featured on the library walls. B'jhon turned
his attention to the walls. Everyone else tapped into B'jhon for
clarity. Daniel used to study the Light Race's writing; he
was also visited by them on occasion. "He would fall asleep
here," B'jhon remembered, "There's no record
of them visiting, other than..."
"Dreamfasting," Alma transposed for him.
54.
Daniel always talked to
Angels in his dreams and B'jhon had witnessed the occasion more than
once. Holographic synapse can be difficult to distinguish
from actual events because all perception is holographic, whether
dreaming or awake. Brain activity is holographic in function.
55.
"It happens to you too now," Alma reminded him, "except that it's
more real to you now." Alma would occasionally catch B'jhon
talking to Angels. The trend was probably as old as Corlos,
betwen the Director and his exec.
56. B'jhon clutched Alma's arm to make sure
that he was... "You're awake," Alma confirmed for him
psionically. Every Director would be lost without his trusty
right arm.
57. "Well then..." B'jhon returned his attention to the
water, "this ought to be good."
MIRROR
58.
They both stood there looking at each other. Ireana in real
time from her present, was looking at herself in her lab on
M'tro-1.
59. She would be initializing Onimex within the next two
minutes. Both Ireanas' knew the intricacies
of time tampering and were instinctively calculating how to prevent
an error.
60. "Be sure to take your own advise and carry on, like
you did the
first time," the older Ireana recommended. The younger Ireana was
immediately confident in her older self's advice. The older
Ireana spoke in English out of new habit -- they had the same alpha
wave
and both were psionic, so the acoustic gibberish didn't obstruct
anything. "Learned a new language, did you?" the younger Ireana
asked. The older one didn't answer.
61. The younger Ireana proceeded with her
pre-initilization checklist exactly as planned because she felt the
stress in her older self.
62. "You've put on a few years," the
younger Ireana observed. "That thing!" the older Ireana accused
it,
without finishing her thought.
63. The younger Ireana grinned
mischievously, "Since I KNOW that
you know
better," she didn't finish her sentence; it would be wise to simply
endorse her older self's abbreviated explanation, "This thing," she
repeated quietly, "is the culmination of my entire existence... soul
and
thoughts."
64. The younger Ireana prounounced the word,
"INITIALIZE."
65. The older Ireana always wondered what Onimex's
initilization would have looked like as a spectator; she had already
written the script, so she knew what to expect. This time she
would observe more, and stress less.
66. Onimex's
pixilation went through it's various diagnostic colors and settled on a
purple haze before fading out. The older Ireana quietly lipped
Onimex's first words, "I have a parallel signature -- Is there is
another unit identical to me?"
67.
"Check
your philosophy base," the younger Ireana instructed. She looked
at her older self.
68. "The other unit is accessing," Onimex said, with a slight
inflection. "
NO!
DON'T!" she yelled.
She clutched Onimex on both sides as if her grip alone could prevent
the wind from blowing while the older Ireana clutched an imagined
Onimex. "Dump it!" the younger Ireana commanded, "
Don’t Access!"
She smacked him, "Don't do it!" "Abort," both Ireanas' said with
equal calmness.
69. The younger Ireana said to her older self
psionically, "I understand you wanting to revisit this moment..."
"...but the risk," the older Ireana finished for her.
70.
There was an unspoken, "Shouldn't you be practicing what you
preach?" which lead to her defense, "We're about to be attacked," the
older Ireana warned her."
71. She
went to the window and looked up toward the sky, "There's four
destroyers up there," she said, "they're going to toy with us before
finishing off the shell. You and Onimex will be saved." She
pointed at the newly initialized Onimex, "His future self is here to
make sure you
both get there alive."
72.
"And I know for a fact that you're not
supposed to be here!" the
older Onimex accused the
intruding Ireana. The older Onimex knew how to prevent the
younger Ireana from hearing him. Both Ireanas could hear
their brand new brain child perfectly.
73. "YOU caused this in
the first place," the older Ireana accused him psionically.
"You're talking to his future self?" the younger Ireana asked, just to
be sure, she was after all, still psionic. There was a feint
shell quake.
74. "It wasn't until the glass shattered that I
realized that we were under attack," the older Ireana revealed, "you
have
less than a minute, and all this..." She spread her arms to
specify M'tro-1 in its entirety, "...will be gone." She
shook her head and emphasized quietly, "All of it!"
75. "What about you?" the
younger Ireana asked.
76. "Onimex," the older Ireana said to the older Oni, "get me
aboard the destroyer."
77. "There's simply no way that can
happen," Oni replied, "I need Xanax or Corlos to do that."
78. While the two Ireanas exchanged glances, the younger
one wondered if she was
witnessing the end of everything.
79. "Has the new Oni learned
anything that it shouldn't have?" the older Ireana asked.
80.
"I maintain co-locational continuity at all times," he said, "I
can modify or disable any or all of my actions at any point in
time. I just don't." Ireana smirked -- she knew why he
added that.
81. "
That
Ireana," she said, referring to her younger self, "did not
know that you were here until you asked, 'Is there another unit
identical to myself?'"
82. The window panes blew in violently while the
future Onimex deflected most of the glass fragments and canceled the
concussive effects. "The simulator won't bring both of you,"
Onimex clarified, "Corlos doesn't know you are here. They are
only retrieving those two!"
83. At that moment, the
younger Ireana and the newly initialized Onimex faded out of
reality.
84. The older Oni faded fully into M'tro-1's resonance and glided
over to the older Ireana. She knew that he was choosing
suicide. The remaining windows shattered and a large part of the
wall collapsed. In the distance, a tumultous atmospheric
convulsion would destroy them within seconds. No doubt, Kor's
Youth were having a field day in orbit.
85.
"Isn't it strange?" Ireana said introspectively, "that this is
where we came in?" She sighed sentimentally, "It's like
we came back to witness the original ending." "Or the beginning,"
Onimex added. He didn't know how Ireana got there in the first
place. Biologicals are not supposed to be able to co-locate.
86.
Oni adjusted his position to shield her from
the coming shockwave. Even if he could create a
temporal bubble and preserve her in deep space, the
complexity of sustaining a biological with no resources
whatsoever was beyond his capability. He needed Corlos
or
Xanax and there simply wasn't enough time to construct another
outcome.
87.
"No!" She insisted, "you SAVE yourself!" There was no
reason for both of them to perish. "Do you remember how you got
here?" he asked her. "This could be just a projection?" he theorized.
88. "Not really," she
thought. She didn't remember 'wanting' to be there. She
didn't know how she got there. "Events lately," she
reflected, "have... been unaccountable," for lack of a more
perfect word. Maybe that was exactly the right word.
89. "Maybe we're not really here?" he suggested. In
Oni-speak, it meant that it might not really be 'the end.'
90.
In that particular reality, however, it was the last thing
that either of them said, did or thought.