1. The
Director's spire was under construction. Thirteen
comfortable recliners were in a circle, head-to-head, and
draped with linen to keep them
clean. All of the stained glass
was up. The interior lighting worked and most of the FX
were operational. The floor tiles and carpeting was
incomplete; construction
tools were laying around and finishing work was still
underway. There were special fixtures that needed to be
wired. A make shift workbench was just inside the
entryway for more intricate shaping.
Sensitive equipment was still in crates underneath the work
bench. The spiritual intention of the temple was obvious and the
end result would be spectacular indeed.
2.
Stranger
still was that Kiles could see the temple at various points in
time. Spirits from various Dans passed in front of him
in dated apparel.
In the earliest Dans, the temple didn't even exist.
It seemed
like he could focus on a specific point in time, and the
interior would adjust accordingly. None of the imagery was
resolute; it
was still too dreamlike to believe, and he questioned his
knowledge of the culture. Construction would only happen once,
which occurred during the 4th Dan, notwithstanding that every Director
makes cosmetic modifications as they see fit. The
emphasis on construction was obvious.
3. "Kiles?" he heard. He recognized her voice,
"Mom?"
4.
It was an unexpected surprise, but then again, nothing was
truly surprising in this dreamscape. "You can see me?" he asked,
unsure, "Is
any of this real?" he thought.
5. Ireana
intently surveilled the room. She had only seen the
temple in pictures -- she had never set foot anywhere on Vejhon.
This fascinated her.
6. Kiles imagined
what some of her questions might be, but he had one of his own:
"What's with the dress?"
7.
She was wearing a white chiffon dress with white lace, a
creme corset, puffy eggshell shoulders and a white feather
shawl: It could pass for a neo-petticoat in a melodrama.
Her white
Victorian boots with canary laces was a nice touch. The
dress was frayed and tattered. She held a
white rose studded with sharp crystal thorns like a
rock star filming a holo or posing for promo stills.
8.
"Is that really you?" he asked psionically. He had see her
as Kor's Queen, and now dressed like this. "I think it looks
lovely -- you should get out more often," he thought. He only saw
her in her conservative pantsuit and lab coat -- this was a nice
change.
9.
Ireana smiled, but seemed unfocused as if she was questioning
which side of
reality she was on. He thought she recognized
him, but then began to feel like they were both in someone
else's dreamscape; subject to the
dreamer's manipulation. That architect was neither of them.
10.
"I've never been here," she said. She believed that she
was addressing her son, but was unsure, and that uncertainty was
more
out-of-character than the dress. "It can't be her," Kiles
concluded. Don't get emotionally involved.
11.
He felt inside his breast pocket for Xi and nothing was there.
"I need my machines,"
he sighed. He wanted Onimex.
12.
"Bri!" Kiles heard a glottal voice say from behind
him. He felt a stone-like hand smack down on his shoulder and
swing him around, just like in a nightmare once. There stood a
hazy translucent outline of a body, possibly
reptilian. He restrained his instinct, because
'it' would have already hurt him, if that had been its
intention. He massaged his shoulder -- the gentle tap
stung like a
small hammer.
13.
"You couldn't
possibly mean 'the' Bri," Kiles knew, but then again, after what he
had learned from Kor only moments ago...
14.
Micha materialized with his unblemished
handsome white scales. Jolvians don't have blemishes because they
can pixiliate their skin into virtually anything. Kiles didn't
know Micha from
Azoth, but evidently Micha knew him. Kiles knew the
Bri and Kor epic was still in progress and Oni had provided him with an
Elliptical view.
15.
"You can see me?" Kiles asked.
Micha laughed. Every Jolvian child learns the symbol for
that expression before they learn to speak. "That's supposed to
be my line," Micha joked. Kiles saw the humor in it. At
least this
encounter was more
tangible than the dreamscapes where nothing was fixed.
16.
"You called me , 'Bri?'" Kiles asked. Micha laughed with
his eyes shifting through camelion-like phases. "OK... so
it's not you," Micha
questioned, "So then, who are you?" "Do I look that much like
Bri?" Kiles wondered. "Kiles," he answered out loud, extending
his hand like Humans do on Earth.
17. Micha
examined Kiles hand, found no blemishes and returned it to him.
The antic didn't surpirse Kiles, "I have NO idea why I'm here," Kiles
confessed, "do you?" Micha tilted
his head and continued to examine Kiles, "Are you SURE you're not Bri?"
he asked. Kiles opened his arms as if to offer his soul to the
Jolvian. On Vril, his gesture would be interpreted as one of self
sacrifice. With his head tilted back, he noticed two planets in
their molten lava
phase, a few million years before either would be even close to
terraforming. "Now where
are we?" he wondered, knowing that 'time' factored into the equation
somehow.
18.
When Kiles returned his attention to Micha, everything became a
sea of glass for miles and miles all around; just him on
an eternal translucent plain. The effect
was heavenly and pure.
TETRA
KILES
19.
"This is quite a stir you've caused in my Universe," Azoth said.
There was a pinprick of glowing light that descended until
His glorified form appeared. The voice, however, sounded
like it was right in front of him. It did not have the 'many
rushing waters' sound as reported in various cosmic scriptures; the
voice had been tailored
just for him. It might have even passed for Dayton's voice except
that it was layered.
20. "God?" Kiles asked.
21. "That's the generic term, but 'Yes,'" Azoth replied.
22.
"I've never had an audience with God," Kiles thought, "What does one do
when in the presence of the Almighty?" The only
word that came to him was, "Really?"
23.
Kiles was more familiar with the Cosmic part of the equation
than with the Chaotic side. He had been validated
by Conscious, after all.
24.
Azoth
pointed up. Kiles looked. Overhead was a reflection of
another Azoth with another Kiles looking down at them, from their
perspective. The other two waved at them.
25.
Azoth pointed down. Kiles looked. Beneath
them was another Azoth and Kiles looking up at them as though they
were the reflection, and not the other way around. It had the
sensation
of looking up from a grave: "Which one of us is real? And
are they thinking the exact same thing?" he wondered. Kiles knew
Elliptical theory probably
better than any other biological did.
26.
Azoth pointed to
one side. Kiles looked. There was a reflection of them in
that direction. There was a reflection of them in the other
direction too, plus behind them, in front of them and mirrored in every
direction ad infinitum. Kiles noticed slight differences in each
image; the arm movements were not identical and their conversations
were not following the same script. Each image represented a
unique dimension
that colluded at this point in space and time. Being there, was
the only quality that each image shared in common.
27.
"They are all autonomous;" Azoth clarified, "Capable of choice,"
He answered before Kiles could ask. 'Collusion,' was the
only word that came to Kiles mind.
Kiles speculated, that in at least one dimension, he and God were up to
no good. Then his mind began to influence his perception:
Four dimensions could shift into ten; the cube
parameters could
become a variable hedron, a sphere or any datum that Kiles
imagined.
Ultimately, it was the symbol that mattered... God put that idea
in his head. The very concept of 'symbols' seemed to
be characteristic of this particular enigma. 'Keys,' fit the
equasion, "Like a helix,"
Kiles thought.
28. God would
not waste His time to study the mundane. "Me?" Kiles
asked, quizzically. "You had help," Azoth pointed out.
Images of his pet droids faded into view and then disappeared.
Azoth pointed out the bubble that nestled Kiles body on a beach
in Hawaii, and the worm termination that penetrated regions of
space it shouldn't have.
29.
"You and your friends have been tweaking things that should not
be in My Mind," God said, "your
friends..." He emphasized, "have
ventured where Angels dare to tread." No doubt, the realm of
Conscious was being infringed. "So you've met Her?" Azoth asked.
Of course He knew -- He was God, and God can make small talk if
He wants to. Kiles nodded. "In the Chaotic realm, you're
not supposed to happen," God clarified, "You've ventured well beyond
your natural construct." He planted a supporting thought:
"She would have everyone believe that it's utter
anarchy, terror and... 'Chaos' ... over here..." There was a
hint of sarcasm. Kiles knew exactly what He meant.
30.
God expanded the wheel
with 10 spokes until it reached the furtherest points in
the Universe -- he permitted Kiles to
see Tetragammaton's heartbeat that kept a pulse on everything
alive. "You're supposed to be over there," God pointed out.
Kiles was on the opposite side of the Ellipsis. "But..."
God added esoteric insight, "You're valid." That
was the explanation before the cart. God's prerogative.
Kiles face reflected appreciation. God did seem
to embody every unquantifiable rambling he ever had, but
otherwise absorbed Universal adulation:
There would be no place to begin or end. "What if it really
is that simple?" Kiles wondered, "The Alpha and The Omega."
"What if the bane of every biological is to 'overthink'
everything?"
God's grin implied that Kiles jest had merit:
31.
"What we have to do now, is coalesce you into one." That
was Chaos-speak which Kiles already understood. "How
did..." Kiles began.
32.
"Music," God answered.
Kiles face reflected a quiet shock, like shaking the dust off of
a collector's item. He knew that validation granted him privilege
within the Ellipsis. He was going to ask, "How did the
transposition occur?" His body was in one Segment and his
photonic
polarity in another. "Music," Kiles repeated, wishing that
Xanax could give him an extra plug-in or two. "It bridges all
worlds;" God clarified. Some cliche's are memorable because of
their rhyme and meter, but God was not referring to something that
pedestrian. Onimex and Xanax made
things disappear by reattenuating
the subject's harmonic with something else.
33. "What are You getting at?" Kiles asked introspectively, "You
have to coalesce... me...
" Oni is co-located, he knew, "And I am too now, apparently," he
deduced. Kiles felt unconsciousness creeping in, and it
was God's doing. His last thought in His presence was a
line he heard on TV, "Say good-night now, Gracie..."
THE
HUNT
34.
Flash was minding his own business, slumped in the darkness of
his barracks room when he was psionically alerted by The Boss
per order of their Guard Liaison. The Kids did nothing
without a Guard order. The Hunt was on. Twelve Kids and one
Boss emerged from their rooms and ran out of the barracks in a
common direction. They psionically received details of
the subject, his crime and whereabouts. They scattered like a
pack of wolves with a single purpose. It was breath
taking to witness such laser tight focus, by deadly
young warriors, and utterly terrifying to the target.
There was no hope of even a slight contest.
36. The Kids reputation proceeds them everywhere they go.
Observers' instantly acknowledge the target, "Poor bastard." This
is simply part of the
culture. Crimes of passion are impossible to interdict and
those who succumb to deadly violence, are also choosing to commit
suicide. 'Thinking' about committing a crime is not a crime, but
'committing' a crime is a done deed. Everyone has imperfect
thoughts now and again which makes the feasibility of a 'thought
police' impossible to sustain. Typically, peers can help calm a
potential perpetrator, but once the point of no return has
been crossed, the perp's only choice is to
flee. Nobody turns themself in, because they'll only be executed
at the precinct. The custom is to flee, so every perp
does.
35.
Juries and trials do not
exist on a psionic shell -- everybody knows what the accused did:
There is no way for a self serving legal racket to exist.
A Psionic Guard can reverse engineer the
most complicated episode to the most
excruciating degree. There's simply not much
intrigue when it comes to crime, so justice is
dispensed immediately. Corporate crime is a different
shade; a little more intricate but resolvable.
36.
The Kids dash through the brick entrance
of a highly trafficked park, psionically pushing shellans out of
the way and knocking a few off balance unintentionally. Psionic
pressure parts spectators like stellar debris
off the bow
of a starship . The Kids are not concerned with specator
comfort -- they're focused on the target. Some shellans have
barely turned to see what the fuss is about,
and have already missed it. The Kids descend like
shadows from an unseen realm and keep their interaction with
everyone else to a minimum. Targets typically flee to a remote
area because their primal instinct thinks they'll be safer there.
The Kids' mystique is impossible to ignore.
37. A State vehicle
lands at the park entrance and the passenger door swings up.
A Psionic Guard emerges, who calmly oversees the operation.
He respectfully assists an elderly couple to their feet and
calms the others who were knocked off balance. He keeps
his younger admirers outside a psionic perimeter, which is
customary. He is a State Vicar and everyone knows it.
He permits a child or two to approach and squats down to give
them the warm fuzzy they desire. He rises and proceeds in
the general direction that the Kids went. Nobody follows -- they
know better. The perpetrator is
getting tired; spending his last ounce of adrenaline in a
struggle that cannot be won. The tradition affords no mercy
to the guilty.
38.
The Vicar knows that he will not
arrive at the scene before the deed is done; neither does he
intend to. He will see it perfectly from wherever he is.
The Kid Boss
will carefully confirm the Guards sanction before executing
justice.
39. The perpetrator is
surrounded, exhausted
and kneeling with his arms up. He's trying to say, "Please!
I didn't mean it!" but he knows his plea is useless even if he
had the breath to say it out loud. He can only cry
silently, as most masculine of shellans do, when caught in this
situation, no matter how brave by reputation. The Kids are not
being cruel by motivation. They are following protocol with
exactness, as thoroughly trained to do.
40.
The Kid Boss oversees the twelve. He has an extra
wide red band wrapped around his ribs so that he's easy to
distinguish. This Boss is 12, but the stone cold stare in
his laser blue eyes could pass for 50. There is one Kid at
each side of the runner, firmly gripping the
runner's arms. Another Kid is holding the runner's neck
in a headlock. The remaining 9 form a loose circle; waiting
for a signal. The morbid
intention is clear. The Boss Kid's job is to police the
team, but he also reports to the Guard Liaison and speaks for the
team as necessary. The Boss Kid always arrives last.
His
assistant leads the pack and traditionally gets the
honor of taking perp's head off.
41. The
Boss Kid approaches the captured shellan and stands tall before him.
It is never a Kid's place to pontificate the merits of a case;
they simply follow the Guard Liason's direction. The Kid's face
is robotically aloof from what he is
about to do. He looks down upon the condemned and makes the
awaited pronouncement:
42. "By the power vested in me by the Psionic Guard, I demand
your obedience!"
43.
The shellan reacts like every shellan does, just like
on holo. The pressure makes every target cry. He
closes his eyes and psionically refuses. The
event is not recorded or psionically shielded -- anyone capable of
tapping in, some silently observe.
44.
The Boss nods, and
the combined psionic force of the team, rips the shellan apart.
The pressure focused at a single point in
space, alters physics. The Psionic Guard Liaison has
not walked half of the distance
to the execution scene and never intended to. He stops and stares
off
into a nearby horizon, "A'zoth Rest You," he
whispers out of
respect for the dead. He knew the condemned had not been a bad
shellan, but he could have restrained himself and chose not
to.
His peers in the psyos tried to convince him not to proceed, but he
killed her anyway. And this was the price for that lack of self
control.
45.
Anyone who
remains at the scene of a crime is believed to have
justification for their action, as in self defense, and other
psionists within the strata will help the Guard arrive at a
conclusion. The Guard can unravel the most intricate dilemma and
arrive at a decision. Nothing is beyond the Psionic Guards
ability to resolve.
46.
As gruesome as being ripped apart sounds, the neck break is
instantaneous. The rest is pure deterrence. It helps the
public to think before they act. Those capable of
reading the runner's thoughts at the time of
death, register an overwhelming pressure and then darkness,
followed by the runner's photonic matter vacating its biological host.
A'zoth decides the rest. This form of demise is
not nearly as gruesome as being drawn and quartered while still
conscious, or being eaten alive, like the ancient Jolvians practiced,
and still get ribbed for.
47.
Becoming a Kid is not easy: Every Vejhonian youth is
qualified to apply. The curriculum is brutal and if you
pass, you get a barracks assignment. Roughly 7 out of 200
candidates pass. Successful candidates become wards of
the
Psionic Guard and honorable completion of a tour will fast
track a Kid's Psionic Guard application, which is a primary
motive for
many. The rest just want to rip bad guys apart: As
long
as the candidate can successfully pass Kid Basic and swear obedience to
their Guard Liaison -- they're in. There's a lot of perks to
being a Kid, but the Kid's code-of-conduct is
unnaturally
harsh, both on and off the street. There is no higher honor, 2nd
only to the Psionic Guard.
THE
ANTI-BEING
48.
"What is this,
Master?" a fallen one asked meekly. Lucifer and a horde of
anti-beings surrounded a mysterious bubble on Ewa Beach where
Kiles was navigating the unknown Universe via worm
terminations. Aspects of the oscillation waves transcended
their visual realm which was already above and below Human sensory
perception. In spite of B'jhon's order to end the conduits, too
many fissures had cascaded into infinite possibilities that could not
terminate on demand.
49.
Lucifer was calculating how he might get his
reverse-polarized, anti-photons through the conduit. He
would never receive a corporeal body and was otherwise gender neutral,
purporting itself to be whatever gender it vainly desired at a given
moment. It was not her habit to reveal what she thinking to
her idiotic, cowardly patrons; since decency would contradict her
incessant narcissism. She absorbed streaks
of ambient light into her abysmal outline like an anti-aura;
her lack of quality created the polar antithesis of life.
50.
The worm terminations were powered by dark
matter; dynamics that she understood before his photonic
inversion. The spacial vacuum of it's existence was the only real
power that it could manipulate, and virtually any type of photonic
matter could invalidate that power: Where light is -- dark isn't.
Faith is quantifiable at the vacuum level of mater; a
conduit to the Mind of God that can influence the Fabric
of Creation.
51.
She
wanted to escape the confines of her Earthly prison and defy the edict
of God: "How do I use it?" it wondered -- the enigmatic
beach bubble showed potential. He would abandon his devoted horde
in a heartbeat if he could
figure out how to escape; the brave champion who once proclaimed that
he would, "save everyone by making them not do
anything," a contradiction to the
nature of intellect. Why would the Creator of the Universe,
who knows the number of stars in the sky and calls each one by name...
need a guardian? The joke, evidently, had been on, he, she or
it: Whatever the case -- It would never have a corporeal
body.
52.
Thirty Billion souls fought for that grand illusion; a
suicide pact with no prize to win. They invented an
Earthly religion with the same goal: Kill everyone
and everything, but not yourself. Hell is the absence of
intelligence. The enemy of God is laziness. The reward for
mortal inaction is eternal inconsequence.
53.
When Lucifer didn't answer a question, it meant that the
answer was above the intellectual capacity of the ass hole
that asked. She displayed the petulance of a spoiled-rotten,
9-year-old girl, if she wasn't constantly patronized by the unfortunate
ambient spiritual feces. Her demonic horde
tread carefully because she knew things that they didn't: Their
fear was the vacuum that kept the 'he-she-it' in
power.
THE
CLEARING
54.
Kiles thought he had stepped into a painting, the colors were
vivid; the air pure and crisp. He was on the edge of a
small forest clearing where a hint of ground fog was still dissipating.
The light was soft; the sky perfect, the smells
invigorating and fresh. Near the east edge of the clearing
lay an old hollow log and beside the log ran a small winding
creek with wild mountain grass outlining its curves.
A gentle breeze kissed
his face. This moment was inspiring because it felt
very real.
55. On the log sat an Angel. It
did not have traditional wings, but its glowing aura was
sufficient proof of Godliness. "I've seen this before," Kiles
thought. He would have conversations with the Angel in his dreams
and forget the conversation within seconds of waking up.
"Am I in that twilight again?" he wondered; the space
in-between consciousness and sleep. The scene made him forget the
stressful moments. He needed it.
56. He felt
the wild grass under his feet as we walked down a slight gradient
toward the log.
His sensory perception registered detail that always
escaped when he awoke. "I always try to remember this, and it
always goes away," he thought. The Angel kept his
perception in check. If a white
unicorn suddenly galloped through the clearing -- it would have
seemed natural.
57. "How are you,
Kiles?" the Angel greeted him. He loved the Angel's voice and Its
warm smile, "The One," as He was known throughout the Universe.
"Much better now," Kiles replied. The Angel patted the log
beside Him so that Kiles would sit besid Him. This was how
their conversations always started.
58.
This particular creature invented the concept of co-location,
so His leisurely presence here did not preclude
His presense at a million other locations. He was actually
much more important than an ordinary light machine, and on a
first-name basis with A'zoth. Kiles was most comfortable with God
in this form; a holographic projection inside his hermetically-sealed
mind.
59.
Those untapped areas of the Human mind contain keys to the
Universe that Humans are
taught to ignore. Kiles was only half Human. "That's why
your thoughts will convict you," the Angel said during a previous
encounter: "Your choices will judge you more than I will."
It was logical. The Angel liked Kiles.
Kilies remembered every word of every encounter when they
happened, and forgot everything the second he woke up, maybe by
design.
60. "Where were we?" the Angel asked rhetorically, and then they
resumed right where they had left off...
OLD
SPIRIT
61.
"We were friends once," the anti-being cooed gently.
Time was irrelevant in that superficial dimension. He was no
longer in
the forest clearing with The One, but in a parallel construct on
the opposite side of time. His first suspicion was Elliptical in
nature; maybe Tetragammaton was playing with the TV remote again:
He had been with The One -- now he wasn't.
62. The parallel construct was surrounded by a vacuum
of narcissism restrained by a spherical
field outside Oni's bubble. "I can do that too," the anti-being
added, in an attempt to feign talent. Certainly, Kiles recognized
the change in scenery. "Let me show you," the anti-being
suggested, darkening the environment like a theatre and superimposing
the panorama of deep space inside.
63.
In the vision, a little boy was surrounded by anti-beings.
The boy was tempted to eat a forbidden fruit by an
older boy, and when the younger boy obliged, the demons scorned him
with condescending laughter that he could hear, "You should have stayed
with us!"
64. "You have an
advantage," the anti-being commented, "being only half-Human makes you
a spectator..." Key moments of the boy's dysfunction unfolded at
a rapid pace, "...unlike that one,"
the anti-being scoffed with contempt.
Clearly, that kid had been set
apart for special treatment; garbage in Human
form.
65. "You
disfigured its soul and its nature," Kiles acknowledged, "but I
give it a
pass," ad finis. The anti-being gave Kiles an unmistakable,
"Who the fuck are you?" expression. To which Kiles replied, "I
was never
your friend."
66.
He raised his arm to make a sweeping motion that would
obliterate everything. "Don't!" the anti-being implored.
Kiles held short and smirked, then proceeded to wipe the
whole affair from existence. "I was never your friend!" he repeated.
EWA
BEACH
67.
He was alone, right where Onimex and Xanax had placed him inside
the worm terminal. The bubble had vanished.
68.
There was nobody on the beach at all, which seemed suspicious.
He sampled the psyos like a Psionic Guard would do on Vejhon
and sensed nothing... "Mom?" he queried. Nothing. That was
highly unnatural -- probably how Ireana felt when he abandoned
her.
69. Ireana had always exploited Kiles' psionic limitations, but
for goodly reasons. It was her only means of knowing where he was
and what he was thinking, without overtly spying on him. He knew
she could read him, but he assumed that it was on a limited basis,
since she didn't react to his every thought or he would have been in
trouble all the time. Guardianship 101: Ireana had been
graded by an expert on the subject.
70.
There was something vaguely superficial about this reality: Mom
was nowhere to be found. Ireana was nowhere on Earth.
"Which Earth am I on?" Kiles wondered. He
waved his arm:
71. "Careful with that," a being cautioned
him. This being was more angelic, similar to The
One in the forest clearing, and the polar antithesis of the
one he just swept away.
72. The being sat on a
rocky break with waves gently cresting beneath his sandaled feet.
The light overcast and slightly graying clouds came
straight out of a masterpiece. The
being looked ordinary,
except for his ancient woven robe. A shimmering
platinum thread had been woven into the fabric at one-inch
intervals to remind everyone
that this too, was abnormal.
73.
This event seemed more staged than his previous encounters:
74. "You've
changed things," the being accused him calmly. Curious:
Kiles didn't feel like any major change was attributable to him.
The being sharpened his eyes and
conveyed psionically, "When you started, you merely moved a million
tumblers out of sequence... now those tumblers
are interdimensional and ever shifting ad infinitum."
75. Corlos had a nightmare on their hands and Kiles
was indirectly responsible. "Where's my Mom?" he asked. The
being seemed to know,
like it gave him some sort leverage. "She's not in this
dimension," Kiles
extracted. He had never known how to read his father, so he
didn't know if Dayton was 'out there' or not. His droids
were nowhere to be found and Xi was gone too.
76. For the first time, Kiles wanted to push a reset
button. This was getting out of hand. "Is regret a
preventable
condition?" he wondered.
77. The being
understood and reversed the sequence so
that Kiles would feel better. It was a sympathetic
gesture that had no effect on real events. Kiles smiled at the
creature and stared out to sea.
The sound of seagulls, rolling waves and the wind rustling his
black locks was real... but where was everyone?
78.
"Did I make the people go away somehow?" he wondered.
"There's still people here," the being said, "just not on the
beach." He was peering at a garrison rampart at least half
a mile away. Kiles followed his line of sight, "That wasn't here
before," he noticed.
79.
He could see a flag fluttering on the rampart and squinted to make out
the flag's interior detail:
80. It was a red flag with a solid white circle containing a
black swastika inside the circle.
81. "The Nazis!" Kiles said, "Why are they always in every
alternate timeline?" he asked.
82.
"'Alternate' would depend upon one's point of view," the creature said,
"I told you the tumblers were 'ever shifting...'"